Shakespeare And Duffy Explore Love English Literature Essay

Shakespeare And Duffy Explore Love English Literature Essay Anne Hathaway is a love poem written by Carol Ann Duffy using the voice of Shakespeares wife, Anne Hathaway. The poem explores the loving relationship between Shakespeare and his wife on a physical as well as an emotional level. The poem uses the imagination to celebrate the power of Shakespeares work and creativity which lasts even after his death. Shakespeares sonnet 130 could arguably present the opposite. One of Shakespeares many love sonnets was written to his lover expressing his feelings to her. He mocks the way other poets compare women unrealistically to clichà ©d, beautiful things but though this might appear outrageous, his intention is to express a deep love. His approach is to use humour to make a serious point about love. Both poets use first person to bring a very personal, direct character to the poems. Duffys choice of the Shakespearean sonnet structure seems appropriate for the topic of love between Anne Hathaway and Shakespeare himself. Shakespeare, however, chooses the conventional sonnet form to make an attack on conventional expressions of love. Shakespeare also chooses the conventional sonnet form as it makes his point stronger about conventional love poetry. Shakespeare uses the first twelve lines of the sonnet form to describe how unappealing he finds his lover but his tone shifts in the final two lines as he reveals his true affection and that even with her flaws, he still appreciates his lover. This is different from Duffy because she reflects a romantic approach from the start of the sonnet and her characters passion for her husband is clear from the start. This is a contrast to Shakespeares apparent negative approach to love at the beginning of his poem. Duffys language choice is imperative in order to explore the topic of love. Duffy uses Iambic pentameter throughout the poem creating a regular rhythm and heavy stresses on important words. This, together with long sentences reflects the joyful and spontaneous process that Anne Hathaway feels during love making and it is as if she is letting all her emotions pour out in a smooth and uninterrupted manner. One example of the effects achieved by iambic pentameter is when heavy emphasis is placed on the word dive in line three. This is because dive could be seen as quite an erotic word and the image of someone diving is a smooth and beautiful and perhaps graceful one. This is used in a metaphorical way to emphasize going deeper into the fantasy of Anne Hathaways and Shakespeares love. Sentences in Shakespeares poem run over two or four lines and some contain contrasts such as black and white. Each statement supports the previous one and this makes a clear message about Shakespeares woman being incomparable to such beauties like the sun and roses. Shakespeare uses alternative line rhyming in his poem, unlike Duffy, and creates a contrast between positive and negative images by his choice of rhyming words. Sun and dun are two words with opposite meanings which suggest different things and this highlights the contrast between false imagery which conventional love poets compare women to. Shakespeares sonnet also employs iambic pentameter like Duffy, to put heavy emphasis on words such as nothing in the phrase nothing like the sun, which is a negative and definite word which isnt usually associated with love. Shakespeare does this to strengthen his argument against these love poets who write sonnets containing this commonly used simile in an insincere way. Both poems create a striking opening creating different impressions about love. Duffy chooses to start the poem with The bed we loved in which places the poem straight away in the bedroom and reflects that the lovemaking was a mutual and shared experience. The first line of Duffys poem contains the metaphor spinning world which creates a remarkable opening just as Shakespeare does when he draws attention to his idea by comparing his lovers eyes as nothing like the sun. This is a shocking surprise of negativity in a love poem and is the opposite to how Duffy chooses to start her poem as she creates an optimistic impression. Duffy refers to Shakespeare as My lover which emphasises the importance of their physical relationship and how Anne feels towards her husband. Similarly Shakespeare refers to his lover as My mistress which creates an emphatic, definite start and tells us that he sees the lady as his. Both Duffy and Shakespeare use a variety of different metaphors throughout their poems but each achieve a different effect on the subject of love. Most of the metaphors Duffy uses are compared to images from a fantasy land such as spinning world and shooting stars, both of which describe that Shakespeares lovemaking takes them to a place of fantasy as they fall uncontrollably in love with each other through this process. The idea of a shooting star is something which is unique, beautiful and rare and when Duffy compares this to their lovemaking, it reflects the appreciation of it from Anne Hathaways point of view as their love-making takes her to the heavens. Shakespeare, on the other hand, uses metaphors which are not usually associated with love and are arguably the opposite of Duffys and could be seen as making a mockery out of conventional poets. Coral is far more red than her lips red reflects that the idea of coral lips as being unnatural and Shakespeare is not going to lie lik e other poets do and compare his lovers features to such unlikely things. Black wires grow on her head is another metaphor used by Shakespeare which creates ugly impressions of the woman. Shakespeare uses metaphors to make his ideas sound more negative in order to express his love in a suspicious way whereas Duffy uses metaphors to create romantic images such as, echo is when something responds to its original sound and in this case, Anne is responding to Shakespeare. This creates the idea that both of them have connected as one and they are now close. It is also a linguistic metaphor and creates a strong link of their love. Duffy compares Shakespeares writing of poetry to their physical love-making to emphasise their love. Apart from the use of linguistic terms such as assonance and rhyme, Shakespeares occupation is present within the poem when Anne says she dreamed hed written me, the bed a page beneath his writers hands. This line suggests that Anne is being transported to another world, almost as if it was a dream and Shakespeares love-making is as creative as his writing. Romance and drama also link back to Shakespeares plays and suggests how he entices her with excitement, just how Shakespeares plays excited various audiences to carry on watching. However, the language in Sonnet 130 could be seen as unusual for someone like Shakespeare to use. The language is very conversational whereas Duffys language is more descriptive about direct love. I love to hear her speak is Shakespeares definite, final opinion of his lover. Shakespeare makes it clear that he adores his lovers voice and what she has to s ay but he gets his message across in a relaxed, informal way as opposed to Duffys language which is more descriptive about direct love. Shakespeares different approach to writing about love could be seen as more personal and focuses on his lover being a real woman. Duffy also appeals to our senses throughout her poem to enhance the readers imagination about their love. She lists by touch, by scent, by taste to reflect how powerful their love making. The list of three also makes it seem perfect and completed almost like beginning, middle, and end. The literal English meaning of the word assonance is when vowel sounds are repeated and Duffy uses it as a metaphor to create a harmonic sound. Where Duffy uses the senses to describe how passionate her love is, Shakespeare uses the senses to exaggerate the flaws in his lover. Reeks is the verb Shakespeare chose to describe his lovers breath. The term means breathed out but also has a connotation of something which is foul smelling and this appeals to our senses in the wrong way. Shakespeare chooses this adjective as it is amusing for people to use an outrageous word to gain a reaction. The poet then goes on to say how music hath a far more pleasing sound and at first glance, we could misinterpret this as another insult to his lover but he implies that he enjoys listening to what she has to say. Duffy puts emphasis on her ideas about love through her use of alliteration and repetition. My is repeated several times throughout the poem to certify that Anne Hathaway thinks Shakespeare is hers regardless of his affairs. However in Shakespeares sonnet my is only said once in regard to his possession over his woman but it is said right at the start of the poem to make a definite statement about his love. This again shows how love seems to involve a sense of ownership. The phrase Living laughing love is used to describe Anne Hathaways view of Shakespeare and draws attention to the fact that Shakespeare is very much alive in her memories. The alliteration creates echoes of joyful sounds and keeps Shakespeare prominent in our imagination. It also reflects joyful experiences when Shakespeare was alive. The phrase Goddess go is an example of alliteration used in Shakespeares sonnet. This creates a comic contrast as the word go seems much more ordinary than goddess which is usually asso ciated with women by love poets. Here, Shakespeare mocks this unrealistic link by using a humorous tone and finds it astonishing how poets try to turn women into celestial beings such as the goddess. The choice of verbs which Duffy and Shakespeare choose, reflect something meaningful about the love they share. In Duffys poem, the the other bed, the best makes the bed left in Shakespeares will to hi wife Anne Hathaway seem superior to the best bed. The verb used to describe the events going on in the best bed is dribbling which creates a completely different impression to Shooting which is the verb used to describe the image in the second best bed. Shooting is an energetic action and is a beautiful movement whereas the image of dribbling is something which leaks out slowly and doesnt create excitement. This comparison suggests that Anne Hathaway and Shakespeares love making is what makes their bed more exhilarating than the other bed. In Shakespeares sonnet, he uses exaggerated words such as reeks, nothing and in contrast uses ordinary verbs such as go to explore the subject of love. Treads is the word Shakespeare chooses to describe the way in which his lover walks on the ground. This suggests that his lover is ordinary as she treads on the ground like everyone does, compared to the word glides which love poets would probably use to compare the way their lover walks in an attempt to suggest they are angelic. Shakespeare focuses on using colours to explore his love for his mistress whereas Duffy tends to concentrate more on using romantic concepts which confirm Anne Hathaways love for her lover. Colours are significant as they are used in conventional love poems as they reflect emotion. Beauty is expressed through colour but Shakespeare seems to make a mockery of such an idea. The hypothetical statement If snow be white, why then her breasts are dun suggests that she is not pure as other poets would claim, as she is sexually experienced. The word dun in itself is very unromantic and common. The way in which both poets choose to conclude their poem reveals their final opinion about their lover. I hold him in the casket of my widows head is how Duffy ends her poem and it suggests that they are and always will be two lovers even after Shakespeares death. The term casket suggests something which holds precious memories and that is how Anne keeps her memory of her husband alive in her head. The rhyming words of bed and head round the poem off and gives a sense of completion. The strong sense of romance created in the last two lines of Duffys poem is expected as Anne has been praising her lover throughout the previous twelve lines. In Shakespeares poem, however, the sudden statement at the end and his dramatic declaration of love is surprising. And yet, by heaven, I think my love as rare is completely unexpected as the irony and mockery from the previous lines has been cancelled by this one strong statement. The expression by heaven suggests a outburst of love and feeling whi ch seems spontaneous and genuine. The rhyming words rare and compare gives a feeling that the poet has reached his conclusion about how he feels. Duffys poem ends with that next best bed which almost makes a mockery of the thought that their bed isnt the best and Anne makes it clear that it really isnt the second best and that in fact what went on sexually and romantically between husband and wife makes it the best bed. Shakespeare uses the word belied in his sonnet to describe how conventional love poets compare their women falsely. False compare suggests that others praise womens beauty in fake terms but the declaration of Shakespeares love is sincere. Duffy and Shakespeare both explore the subject of love but in different ways. Duffys poem reflects that although time brings things to an end, its the memories and love between people which keep things alive and Annes love towards her husband is kept prominent throughout the poem by the romantic terms used. Shakespeares poem focuses more on his womans real attributes rather than falsely comparing her to impossible qualities and therefore he makes a mockery of poets who do. Shakespeares love proves to be more real and personal as he loves his woman despite all of her flaws, Duffy presents a love which is, perhaps, more rare and magical as Shakespeares talents are highly praised. .Both poems come to the definite conclusion that a special love is possible although they choose a very difficult approach to explore this subject. Karishma Kapoor 10H

The Short Second Life of Bree Tanner Chapters 2

When the second body was empty, my throat felt better. There was a lot of blood in my system. I probably wouldn't real y burn for a few days. Diego was stil waiting, whistling quietly through his teeth. When I let the body fal to the ground with a thud, he turned back to me and smiled. â€Å"Um, thanks,† I said. He nodded. â€Å"You looked like you needed it more than me. I remember how hard it is in the beginning.† â€Å"Does it get easier?† He shrugged. â€Å"In some ways.† We looked at each other for a second. â€Å"Why don't we dump these bodies in the sound?† he suggested. I bent down, grabbed the dead blonde, and slung her limp body over my shoulder. I was about to get the other one, but Diego was there before me, the pimp already on his back. â€Å"I got it,† he said. I fol owed him up the al ey wal, and then we swung across the girders under the freeway. The lights from the cars below didn't touch us. I thought how stupid people were, how oblivious, and I was glad I wasn't one of the clueless. Hidden in the darkness, we made our way to an empty dock, closed for the night. Diego didn't hesitate at the end of the concrete, he just jumped right over the edge with his bulky burden and disappeared into the water. I slid in after him. He swam as sleek and quick as a shark, shooting deeper and farther out into the black sound. He stopped suddenly when he found what he was looking for – a huge, slime-covered boulder on the ocean floor, sea stars and garbage clinging to its sides. We had to be more than a hundred feet deep – to a human, it would have seemed pitch-black here. Diego let go of his bodies. They swayed slowly in the current beside him while he shoved his hand into the mucky sand at the base of the rock. After a second he found a hold and ripped the boulder up from its resting spot. The weight of it drove him waist-deep into the dark seafloor. He looked up and nodded to me. I swam down to him, hooking his bodies with one hand on my way. I shoved the blonde into the black hole under the rock, then pushed the second girl and the pimp in after her. I kicked them lightly to make sure they were in, and then got out of the way. Diego let the boulder fal . It wobbled a little, adjusting to the newly uneven foundation. He kicked his way out of the muck, swam to the top of the boulder, and then pushed it down, grinding the obstructions flat underneath. He swam back a few yards to view his work. Perfect, I mouthed. These three bodies would never resurface. Riley would never hear a story about them on the news. He grinned and held up his hand. It took me a minute to understand that he was looking for a high five. Hesitantly, I swam forward, tapped my palm to his, then kicked away, putting some distance between us. Diego got a weird expression on his face, and then he shot to the surface like a bul et. I darted up after him, confused. When I broke through to the air, he was almost choking on his laughter. â€Å"What?† He couldn't answer me for a minute. Final y he blurted out, â€Å"Worst high five ever.† I sniffed, irritated. â€Å"Couldn't be sure you weren't just going to rip my arm off or something.† Diego snorted. â€Å"I wouldn't do that.† â€Å"Anyone else would,† I countered. â€Å"True, that,† he agreed, suddenly not as amused. â€Å"You up for a little more hunting?† â€Å"Do you have to ask?† We came out of the water under a bridge and lucked right into two homeless guys sleeping in ancient, filthy sleeping bags on top of a shared mattress of old newspapers. Neither one of them woke up. Their blood was soured by alcohol, but stil better than nothing. We buried them in the sound, too, under a different rock. â€Å"Wel, I'm good for a few weeks,† Diego said when we were out of the water again, dripping on the end of another empty dock. I sighed. â€Å"I guess that's the easier part, right? I'l be burning again in a couple of days. And then Riley wil probably send me out with more of Raoul's mutants again.† â€Å"I can come with you, if you want. Riley pretty much lets me do what I want.† I thought about the offer, suspicious for a second. But Diego real y didn't seem like any of the others. I felt different with him. Like I didn't need to watch my back so much. â€Å"I'd like that,† I admitted. It felt off to say this. Too vulnerable or something. But Diego just said â€Å"cool† and smiled at me. â€Å"So how come Riley gives you such a long leash?† I asked, wondering about the relationship there. The more time I spent with Diego, the less I could picture him being in tight with Riley. Diego was so†¦ friendly. Nothing like Riley. But maybe it was an opposites-attract thing. â€Å"Riley knows he can trust me to clean up my messes. Speaking of which, do you mind running a quick errand?† I was starting to be entertained by this strange boy. Curious about him. I wanted to see what he would do. â€Å"Sure,† I said. He bounded across the dock toward the road that ran along the waterfront. I fol owed after. I caught the scent of a few humans, but I knew it was too dark and we were too fast for them to see us. He chose to travel across rooftops again. After a few jumps, I recognized both our scents. He was retracing our earlier path. And then we were back to that first al ey, where Kevin and the other guy had gotten stupid with the car. â€Å"Unbe liev able,† Diego growled. Kevin and Co. had just left, it appeared. Two other cars were stacked on top of the first, and a handful of bystanders had been added to the body count. The cops weren't here yet – because anyone who might have reported the mayhem was already dead. â€Å"Help me sort this out?† Diego asked. â€Å"Okay.† We dropped down, and Diego quickly threw the cars into a new arrangement, so that it sort of looked like they'd hit each other rather than been piled up by a giant tantrum-throwing baby. I grabbed the two dry, lifeless bodies abandoned on the pavement and stuffed them under the apparent site of impact. â€Å"Bad accident,† I commented. Diego grinned. He took a lighter out of a ziplock from his pocket and started igniting the clothes of the victims. I grabbed my own lighter – Riley reissued these when we went hunting; Kevin should have used his – and got to work on the upholstery. The bodies, dried out and laced with flammable venom, blazed up quickly. â€Å"Get back,† Diego warned, and I saw that he had the first car's gas hatch open and the lid screwed off the tank. I jumped up the closest wal, perching a story above to watch. He took a few steps back and lit a match. With perfect aim, he tossed it into the smal hole. In the same second, he leaped up beside me. The boom of the explosion shook the whole street. Lights started going on around the corner. â€Å"Wel done,† I said. â€Å"Thanks for your help. Back to Riley's?† I frowned. Riley's house was the last place I wanted to spend the rest of my night. I didn't want to see Raoul's stupid face or listen to the constant shrieking and fighting. I didn't want to have to grit my teeth and hide out behind Freaky Fred so that people would leave me alone. And I was out of books. â€Å"We've got some time,† Diego said, reading my expression. â€Å"We don't have to go right away.† â€Å"I could use some reading material.† â€Å"And I could use some new music.† He grinned. â€Å"Let's go shopping.† We moved quickly through town – over rooftops again and then darting through shadowy streets when the buildings got farther apart – to a friendlier neighborhood. It didn't take long to find a strip mal with one of the big chain bookstores. I snapped the lock on the roof access hatch and let us in. The store was empty, the only alarms on the windows and doors. I went straight to the H's, while Diego headed to the music section in the back. I'd just finished with Hale. I took the next dozen books in line; that would keep me a couple of days. I looked around for Diego and found him sitting at one of the caf tables, studying the backs of his new CDs. I paused, then joined him. This felt strange because it was familiar in a haunting, uncomfortable way. I had sat like this before – across a table from someone. I'd chatted casual y with that person, thinking about things that were not life and death or thirst and blood. But that had been in a different, blurry lifetime. The last time I'd sat at a table with someone, that someone had been Riley. It was hard to remember that night for a lot of reasons. â€Å"So how come I never notice you around the house?† Diego asked abruptly. â€Å"Where do you hide?† I laughed and grimaced at the same time. â€Å"I usual y kick it behind wherever Freaky Fred is hanging out.† His nose wrinkled. â€Å"Seriously? How do you stand that?† â€Å"You get used to it. It's not so bad behind him as it is in front. Anyway, it's the best hiding place I've found. Nobody gets close to Fred.† Diego nodded, stil looking kind of grossed out. â€Å"That's true. It's a way to stay alive.† I shrugged. â€Å"Did you know that Fred is one of Riley's favorites?† Diego asked. â€Å"Real y? How? † No one could stand Freaky Fred. I was the only one who tried, and that was solely out of self-preservation. Diego leaned toward me conspiratorial y. I was already so used to his strange way that I didn't even flinch. â€Å"I heard him on the phone with her. â€Å" I shuddered. â€Å"I know,† he said, sounding sympathetic again. Of course, it wasn't weird that we could sympathize with each other when it came to her. â€Å"This was a few months back. Anyway, Riley was talking about Fred, al excited. From what they were saying, I guess that some vampires can do things. More than what normal vampires can do, I mean. And that's good – something she's looking for. Vampires with skil zzz.† He pul ed the Z sound out, so I could hear how he was spel ing it in his head. â€Å"What kinds of skil s?† â€Å"Al kinds of stuff, it sounds like. Mind reading and tracking and even seeing the future.† â€Å"Get out.† â€Å"I'm not kidding. I guess Fred can sort of repel people on purpose. It's al in our heads, though. He makes us repulsed at the thought of being near him.†

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The Images in A Tale of Two Cities by Charles Dickens Free Essay Example, 2250 words

What does this show us about the character of the speaker? ANSWER 20: This shows us about the character of the speaker that he is a strong-willed man who has realized that he finally cannot continue on with his life like a bachelor and should get married. It also tells that he is confident enough of his financial status and is proud that he is wealthy enough to marry a woman who deserves to live with a wealthy man like himself, a man who is continuing to excel in life. Part II- Answer each of the following questions in paragraph form in a MINIMUM of 150 words. 1. List at least THREE reasons why the arrest and condemnation of Darnay at the last trial was unjust? ANSWER 1: The arrest and condemnation of Darnay at the last trial were unjust because he was illegitimately being held. Two men namely John Barsad and Roger Cly were two British spies. They were trying to accuse Darnay of treason. They wanted to do this out of their own concern. The accusation that they had made against him w as that Darnay had given information about British troops that were stationed in North America to the French. It was also a fact that the French aristocracy was not considered as the very safe of its kind. We will write a custom essay sample on The Images in A Tale of Two Cities by Charles Dickens or any topic specifically for you Only $17.96 $11.86/pageorder now He was accused of being an aristocrat and was tried in the French RepublicMadam Defarge had sought to take personal revenge from the Evremonde family. Mr. Darnay was a blood relative of the Evremonde family and was also related to them in the manner that he was married to Madam Lucie. Thus, it was because of Madam Defarge that Darnay was re-arrested, taken for trial and eventually sentenced to death. 2. Explain how each of the following characters was "recalled to life. " Write one paragraph of 150 words about each character below: a. Dr. Manette b. Darnay c. Sidney Carton(at the end of the book) ANSWER 2 a. Dr. Manette was imprisoned for eighteen ears in LaBastille Paris without any just reason. The jail where he was imprisoned was in Paris. Having been released once, his Daughter had bought him back to England.